Analysis Of Julie Mehretu s Paintings - 2007 Words

Julie Mehretu’s paintings are loosely termed history paintings by Douglas Fogle and called psychogeographies by the artist herself. A viewer is supposed to find something in themselves much like exploring a city and figuring things out for one’s own self-interest. Mehretu is quoted as saying â€Å"my aim is to have a picture that appears one way from a distance-almost like a cosmology, city, or universe from afar- but then when you approach the work, the overall image shatters into numerous other pictures, stories, and events. Historically drawing is seen as inferior to painting which makes it interesting that Julie Mehretu would employ so much drawing into her canvases because drawing is important to architectural drawings. How does the mapping nature of Julie Mehretu’s paintings convey a sense of identity in a very political nature and how is it a representation of the post colonialist world in which we inhabit? Scholars all seem to agree that Mehretu†™s canvases are maps, but what do they seek to accomplish? My analysis of Mehretu’s Stadia III will use a biographical and post colonialist methodology to explore the ways in which Mehretu’s own upbringing and how the very nature of her map making, though very artificial, can be seen as a way of both bringing us together and giving those groups that have previously been neglected throughout history a voice. John B. Ravenal, the curator for the Modern and Contemporary Art collection at the Virginia Museum of Fine Arts (VMFA),Show MoreRelatedCompare And Contrast The Use Of Lines In The Works Of Vincent Van Gogh And Sol Lewitt1165 Words   |  5 Pagesproperly from being placed in this place. As the book stated it was like he was crying of anguish or pain from being stuck there. The paining represent what he was feeling at the time and what the world looked like for him. All of Vincent van Gogh’s painting had emotion to it and used sharp lines to convey a message to the viewers. Vincent van Gogh had outlines shape such as the church, the tree, the houses, the moon, hills and the stars. Sol LeWitt artwork used mathematical terms. HE used precise

Defining Love Will Be An Herculean Task For Me Essay

Asking me to define Love will be an herculean task for me However, a year later, defining love would have been like asking what is my name.I still remember the feeling of loving. Imagine! Your heart beating as fast as the sound made by an unstoppable running horse. Imagine! A life full of joy and happiness. Imagine a bad day that turn into the most beautiful one, when someone smile or look at You smile for no concrete reasons. Then, you decide to make the first step. That was how I felt the first time I saw Amina. After about a month coalescing my feelings about her, she ended up to be the one I date_I was even planning to marry her. Red flowers hidden behind my back, I proposed to her be my girlfriend and she accepted. Happiness, comfort and joy, I could not have asked a better relationship until a Sunday morning. The relationship was about to be toasted in the trash. According to her, I was not able to date her based on cultural constraints. She even gave me the option of having a second girlfriend. But, I was determined at a point that I felt like, If I wanted it to work, â€Å"I should not â€Å"expect magic†. As Dweck points out in her book, I also believed at this instant that â€Å"[...]a good relationship comes from efforts and from working through inevitable differences†. I was ready to go through all the differences between us and convince her that the relationship will work. While stretching myself for about four months, I came to the realization that â€Å"There is noShow MoreRelated Lifting as We Climb Essay3009 Words   |  13 Pagesfrom the grasp of slavery (Jacobs 455). In another instance, when she reaches the north, she finds a woman to work for who was quite kin d and generous, and again she gives all thanks to the Lord: the heavenly Father had been most merciful to me in leading me to this place (Jacobs 485). In both scenarios, she puts aside all thoughts and immediately gives thanks. The importance of Christianity in her life and her strong faith are shown throughout the entire narrative, and is tied to the definitionRead More65 Successful Harvard Business School Application Essays 2nd Edition 147256 Words   |  190 PagesLauren. II. Harbus. III. Title: Sixty...five successful Harvard Business School application essays. HF1131.A1352009 808.06665-dc22 2009012531 First Edition: August 2009 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments Introduction ix xi I. Defining Moment Stacie Hogya Anonymous Anonymous David La Fiura Anonymous Avin Bansal Anonymous Brad Finkbeiner Anonymous 4 7 10 13 17 20 23 26 29 ii. UndergradUate experience John Coleman Maxwell Anderson Lavanya Anantharman Rosita Najmi Faye IosotalunoRead MoreAppearance Discrimination in Employment22039 Words   |  89 Pages(2008)  relates that â€Å"courts rarely allow discrimination based solely on customer preference† (p. 642). One leading BFOQ sex appearance case was the federal district court case of  Wilson v. Southwest Airlines Company  (1981). Southwest Airlines embarked on its â€Å"Love† marketing campaign, wherein the company hired exclusively female flight attendants and ticket agents, preferring attractive ones and making them wear sexy â€Å"hot-pants† and â€Å"go-go boots,† and aimed the marketing campaign at male business fliers. TheRead MoreProject Mgmt296381 Words   |  1186 Pages1.3) [3.5.3] [App G.2 Building teams] 9.4 Managing the team 9.3.2 Team building activities 9.2.4 Virtual teams 9.3.3.1 Team performance [9.4.2.2] 9.4.2.3 Conflict management 9.3.2.6 Recognition and awards Defining the Project 4.1 Project charter 5.1 Gather requirements 5.2 Defining scope 5.3 Creating a WBS 5.4 Tools and techniques 6.1 Define activities 9.1.2. Responsibility matrixes 10.1 Communication planning (.2.3.4) [App. G-4] Chapter 12 Outsourcing 12.1.1 Procurement requirementsRead MoreImportance Of Relationship Marketing32123 Words   |  129 Pagesstudent of MBA 4th semester, studying at Alliance Business Academy, Bangalore do here by declare that this project relating to the topic â€Å"Customer Relationship Management And Importance Of Relationship Marketing In The Banking Sector† had been prepared by me after undergoing the prescribed dissertation requirements a part of the objective of the MBA program of Bangalore University ( Batch of 2004-2006). The study has been done under the support and guidance of Prof. Raja Sekhar. I further declareRead MoreInnovators Dna84615 Words   |  339 PagesInnovator’s DNA sheds new light on the once-mysterious art of innovation by showing that successful innovators exhibit common behavioral habits—habits that can boost anyone’s creative capacity.† author, e 7 Habits of Highly E ective People and e Leader in Me â€Å"Having worked with Clayton Christensen on innovation for over a decade, I can see that e Innovator’s DNA continues to stretch our thinking with insights that challenge convention and enable progress in the important cause of innovation . . . soRead MoreMarketing Management130471 Words   |  522 Pagesassessors. Definition of Marketing As you already know there are many definitions for marketing. Some definitions focus on marketing as the process involved in satisfying the needs of a particular market, while other definitions lean more toward defining marketing in terms of its most visible functional areas, such as advertising and product development. There probably is no one best way to define marketing, though whatever definition is used should have an orientation that focuses on satisfying

The Amber Spyglass Chapter 13 Tialys And Salmakia Free Essays

Holding the heavy gun, Will swept his hand sideways and knocked the golden monkey off his perch, stunning him so that Mrs. Coulter groaned aloud and the monkey’s paw relaxed enough to let the tiny woman struggle free. In a moment she leapt up to the rocks, and the man sprang away from Mrs. We will write a custom essay sample on The Amber Spyglass Chapter 13 Tialys And Salmakia or any similar topic only for you Order Now Coulter, both of them moving as quickly as grasshoppers. The three children had no time to be astonished. The man was concerned: he felt his companion’s shoulder and arm tenderly, and embraced her swiftly before calling to Will. â€Å"You! Boy!† he said, and although his voice was small in volume, it was as deep as a grown man’s. â€Å"Have you got the knife?† â€Å"Of course I have,† said Will. If they didn’t know it was broken, he wasn’t going to tell them. â€Å"You and the girl will have to follow us. Who is the other child?† â€Å"Ama, from the village,† said Will. â€Å"Tell her to return there. Move now, before the Swiss come.† Will didn’t hesitate. Whatever these two intended, he and Lyra could still get away through the window he’d opened behind the bush on the path below. So he helped her up and watched curiously as the two small figures leapt on – what? Birds? No, dragonflies, as large as seagulls, which had been waiting in the darkness. Then they darted forward to the cave mouth, where Mrs. Coulter lay. She was half-stunned with pain and drowsy from the Chevalier’s sting, but she reached up as they went past her, and cried: â€Å"Lyra! Lyra, my daughter, my dear one! Lyra, don’t go! Don’t go!† Lyra looked down at her, anguished; but then she stepped over her mother’s body and loosened Mrs. Coulter’s feeble clutch from her ankle. The woman was sobbing now; Will saw the tears glistening on her cheeks. Crouching just beside the cave mouth, the three children waited until there was a brief pause in the shooting, and then followed the dragonflies as they darted down the path. The light had changed: as well as the cold anbaric gleam from the zeppelins’ floodlights, there was the leaping orange of flames. Will looked back once. In the glare Mrs. Coulter’s face was a mask of tragic passion, and her daemon clung piteously to her as she knelt and held out her arms, crying: â€Å"Lyra! Lyra, my love! My heart’s treasure, my little child, my only one! Oh, Lyra, Lyra, don’t go, don’t leave me! My darling daughter – you’re tearing my heart – â€Å" And a great and furious sob shook Lyra herself, for, after all, Mrs. Coulter was the only mother she would ever have, and Will saw a cascade of tears run down the girl’s cheeks. But he had to be ruthless. He pulled at Lyra’s hand, and as the dragonfly rider darted close to his head, urging them to hurry, he led her at a crouching run down the path and away from the cave. In Will’s left hand, bleeding again from the blow he’d landed on the monkey, was Mrs. Coulter’s pistol. â€Å"Make for the top of the cliff,† said the dragonfly rider, â€Å"and give yourself up to the Africans. They’re your best hope.† Mindful of those sharp spurs, Will said nothing, though he hadn’t the least intention of obeying. There was only one place he was making for, and that was the window behind the bush; so he kept his head low and ran fast, and Lyra and Ama ran behind him. â€Å"Halt!† There was a man, three men, blocking the path ahead – uniformed – white men with crossbows and snarling wolf-dog daemons – the Swiss Guard. â€Å"Iorek!† cried Will at once. â€Å"Iorek Byrnison!† He could hear the bear crashing and snarling not far away, and hear the screams and cries of the soldiers unlucky enough to meet him. But someone else came from nowhere to help them: Balthamos, in a blur of desperation, hurled himself between the children and the soldiers. The men fell back, amazed, as this apparition shimmered into being in front of them. But they were trained warriors, and a moment later their daemons leapt at the angel, savage teeth flashing white in the gloom – and Balthamos flinched: he cried out in fear and shame, and shrank back. Then he sprang upward, beating his wings hard. Will watched in dismay as the figure of his guide and friend soared up to vanish out of sight among the treetops. Lyra was following it all with still-dazed eyes. It had taken no more than two or three seconds, but it was enough for the Swiss to regroup, and now their leader was raising his crossbow, and Will had no choice: he swung up the pistol and clamped his right hand to the butt and pulled the trigger, and the blast shook his bones, but the bullet found the man’s heart. The soldier fell back as if he’d been kicked by a horse. Simultaneously the two little spies launched themselves at the other two, leaping from the dragonflies at their victims before Will could blink. The woman found a neck, the man a wrist, and each made a quick backward stab with a heel. A choking, anguished gasp, and the two Swiss died, their daemons vanishing in mid-howl. Will leapt over the bodies, and Lyra went with him, running hard and fast with Pantalaimon racing wildcat-formed at their heels. Where’s Ama? Will thought, and he saw her in the same moment dodging down a different path. Now she’ll be safe, he thought, and a second later he saw the pale gleam of the window deep behind the bushes. He seized Lyra’s arm and pulled her toward it. Their faces were scratched, their clothes were snagged, their ankles twisted on roots and rocks, but they found the window and tumbled through, into the other world, onto the bone-white rocks under the glaring moon, where only the scraping of the insects broke the immense silence. And the first thing Will did was to hold his stomach and retch, heaving and heaving with a mortal horror. That was two men now that he’d killed, not to mention the youth in the Tower of the Angels†¦ Will did not want this. His body revolted at what his instinct had made him do, and the result was a dry, sour, agonizing spell of kneeling and vomiting until his stomach and his heart were empty. Lyra watched helpless nearby, nursing Pan, rocking him against her breast. Will finally recovered a little and looked around. And at once he saw that they weren’t alone in this world, because the little spies were there, too, with their packs laid on the ground nearby. Their dragonflies were skimming over the rocks, snapping up moths. The man was massaging the shoulder of the woman, and both of them looked at the children sternly. Their eyes were so bright and their features so distinct that there was no doubt about their feelings, and Will knew they were a formidable pair, whoever they were. He said to Lyra, â€Å"The alethiometer’s in my rucksack, there.† â€Å"Oh, Will – I did so hope you’d find it – whatever happened. Did you find your father? And my dream, Will – it’s too much to believe, what we got to do, oh, I daren’t even think of it†¦ And it’s safe! You brung it all this way safe for me†¦Ã¢â‚¬  The words tumbled out of her so urgently that even she didn’t expect answers. She turned the alethiometer over and over, her fingers stroking the heavy gold and the smooth crystal and the knurled wheels they knew so well. Will thought: It’ll tell us how to mend the knife! But he said first, â€Å"Are you all right? Are you hungry or thirsty?† â€Å"I dunno†¦ yeah. But not too much. Anyway – â€Å" â€Å"We should move away from this window,† Will said, â€Å"just in case they find it and come through.† â€Å"Yes, that’s true,† she said, and they moved up the slope, Will carrying his rucksack and Lyra happily carrying the little bag she kept the alethiometer in. Out of the corner of his eye, Will saw the two small spies following, but they kept their distance and made no threat. Over the brow of the rise there was a ledge of rock that offered a narrow shelter, and they sat beneath it, having carefully checked it for snakes, and shared some dried fruit and some water from Will’s bottle. Will said quietly, â€Å"The knife’s broken. I don’t know how it happened. Mrs. Coulter did something, or said something, and I thought of my mother and that made the knife twist, or catch, or – I don’t know what happened. But we’re stuck till we can get it mended. I didn’t want those two little people to know, because while they think I can still use it, I’ve got the upper hand. I thought you could ask the alethiometer, maybe, and – â€Å" â€Å"Yeah!† she said at once. â€Å"Yeah, I will.† She had the golden instrument out in a moment and moved into the moonlight so she could see the dial clearly. Looping back the hair behind her ears, just as Will had seen her mother do, she began to turn the wheels in the old familiar way, and Pantalaimon, mouse-formed now, sat on her knee. She had hardly started before she gave a little gasp of excitement, and she looked up at Will with shining eyes as the needle swung. But it hadn’t finished yet, and she looked back, frowning, until the instrument fell still. She put it away, saying, â€Å"Iorek? Is he nearby, Will? I thought I heard you call him, but then I thought I was just wishing. Is he really?† â€Å"Yes. Could he mend the knife? Is that what the alethiometer said?† â€Å"Oh, he can do anything with metal, Will! Not only armor – he can make little delicate things as well†¦Ã¢â‚¬  She told him about the small tin box Iorek had made for her to shut the spy-fly in. â€Å"But where is he?† â€Å"Close by. He would have come when I called, but obviously he was fighting†¦ And Balthamos! Oh, he must have been so frightened†¦Ã¢â‚¬  â€Å"Who?† He explained briefly, feeling his cheeks warm with the shame that the angel must be feeling. â€Å"But I’ll tell you more about him later,† he said. â€Å"It’s so strange†¦ He told me so many things, and I think I understand them, too†¦Ã¢â‚¬  He ran his hands through his hair and rubbed his eyes. â€Å"You got to tell me everything,† she said firmly. â€Å"Everything you did since she caught me. Oh, Will, you en’t still bleeding? Your poor hand†¦Ã¢â‚¬  â€Å"No. My father cured it. I just opened it up when I hit the golden monkey, but it’s better now. He gave me some ointment that he’d made – â€Å" â€Å"You found your father?† â€Å"That’s right, on the mountain, that night†¦Ã¢â‚¬  He let her clean his wound and put on some fresh ointment from the little horn box while he told her some of what had happened: the fight with the stranger, the revelation that came to them both a second before the witch’s arrow struck home, his meeting with the angels, his journey to the cave, and his meeting with Iorek. â€Å"All that happening, and I was asleep,† she marveled. â€Å"D’you know, I think she was kind to me, Will – I think she was, I don’t think she ever wanted to hurt me†¦ She did such bad things, but†¦Ã¢â‚¬  She rubbed her eyes. â€Å"Oh, but my dream, Will, I can’t tell you how strange it was! It was like when I read the alethiometer, all that clearness and understanding going so deep you can’t see the bottom, but clear all the way down. â€Å"It was†¦ Remember I told you about my friend Roger, and how the Gobblers caught him and I tried to rescue him, and it went wrong and Lord Asriel killed him? â€Å"Well, I saw him. In my dream I saw him again, only he was dead, he was a ghost, and he was, like, beckoning to me, calling to me, only I couldn’t hear. He didn’t want me to be dead, it wasn’t that. He wanted to speak to me. â€Å"And†¦ It was me that took him there, to Svalbard, where he got killed, it was my fault he was dead. And I thought back to when we used to play in Jordan College, Roger and me, on the roof, all through the town, in the markets and by the river and down the Claybeds†¦ Me and Roger and all the others†¦ And I went to Bolvangar to fetch him safe home, only I made it worse, and if I don’t say sorry, it’ll all be no good, just a huge waste of time. I got to do that, you see, Will. I got to go down into the land of the dead and find him, and†¦ and say sorry. I don’t care what happens after that. Then we can†¦ I can†¦ It doesn’t matter after that.† Will said, â€Å"This place where the dead are. Is it a world like this one, like mine or yours or any of the others? Is it a world I could get to with the knife?† She looked at him, struck by the idea. â€Å"You could ask,† he went on. â€Å"Do it now. Ask where it is, and how we get there.† She bent over the alethiometer and her fingers moved swiftly. A minute later she had the answer. â€Å"Yes,† she said, â€Å"but it’s a strange place, Will†¦ So strange†¦ Could we really do that? Could we really go to the land of the dead? But – what part of us does that? Because daemons fade away when we die – I’ve seen them – and our bodies, well, they just stay in the grave and decay, don’t they?† â€Å"Then there must be a third part. A different part.† â€Å"You know,† she said, full of excitement, â€Å"I think that must be true! Because I can think about my body and I can think about my daemon – so there must be another part, to do the thinking!† â€Å"Yes. And that’s the ghost.† Lyra’s eyes blazed. She said, â€Å"Maybe we could get Roger’s ghost out. Maybe we could rescue him.† â€Å"Maybe. We could try.† â€Å"Yeah, we’ll do it!† she said at once. â€Å"We’ll go together! That’s exactly what we’ll do!† But if they didn’t get the knife mended, Will thought, they’d be able to do nothing at all. As soon as his head cleared and his stomach felt calmer, he sat up and called to the little spies. They were busy with some minute apparatus nearby. â€Å"Who are you?† he said. â€Å"And whose side are you on?† The man finished what he was doing and shut a wooden box, like a violin case no longer than a walnut. The woman spoke first. â€Å"We are Gallivespian,† she said. â€Å"I am the Lady Salmakia, and my companion is the Chevalier Tialys. We are spies for Lord Asriel.† She was standing on a rock three or four paces away from Will and Lyra, distinct and brilliant in the moonlight. Her little voice was perfectly clear and low, her expression confident. She wore a loose skirt of some silver material and a sleeveless top of green, and her spurred feet were bare, like the man’s. His costume was similarly colored, but his sleeves were long and his wide trousers reached to midcalf. Both of them looked strong, capable, ruthless, and proud. â€Å"What world do you come from?† said Lyra. â€Å"I never seen people like you before.† â€Å"Our world has the same problems as yours,† said Tialys. â€Å"We are outlaws. Our leader, Lord Roke, heard of Lord Asriel’s revolt and pledged our support.† â€Å"And what did you want to do with me?† â€Å"To take you to your father,† said the Lady Salmakia. â€Å"Lord Asriel sent a force under King Ogunwe to rescue you and the boy and bring you both to his fortress. We are here to help.† â€Å"Ah, but suppose I don’t want to go to my father? Suppose I don’t trust him?† â€Å"I’m sorry to hear that,† she said, â€Å"but those are our orders: to take you to him.† Lyra couldn’t help it: she laughed out loud at the notion of these tiny people making her do anything. But it was a mistake. Moving suddenly, the woman seized Pantalaimon, and holding his mouse body in a fierce grip, she touched the tip of a spur to his leg. Lyra gasped: it was like the shock when the men at Bolvangar had seized him. No one should touch someone else’s daemon – it was a violation. But then she saw that Will had swept up the man in his right hand, holding him tightly around the legs so he couldn’t use his spurs, and was holding him high. â€Å"Stalemate again,† said the Lady calmly. â€Å"Put the Chevalier down, boy.† â€Å"Let go of Lyra’s daemon first,† said Will. â€Å"I’m not in the mood to argue.† Lyra saw with a cold thrill that Will was perfectly ready to dash the Gallivespian’s head against the rock. And both little people knew it. Salmakia lifted her foot away from Pantalaimon’s leg, and at once he fought free of her grasp and changed into a wildcat, hissing ferociously, fur on end, tail lashing. His bared teeth were a hand’s breadth from the Lady’s face, and she gazed at him with perfect composure. After a moment he turned and fled to Lyra’s breast, ermine-shaped, and Will carefully placed Tialys back on the rock beside his partner. â€Å"You should show some respect,† the Chevalier said to Lyra. â€Å"You are a thoughtless, insolent child, and several brave men have died this evening in order to make you safe. You’d do better to act politely.† â€Å"Yes,† she said humbly, â€Å"I’m sorry, I will. Honest.† â€Å"As for you – † he went on, turning to Will. But Will interrupted: â€Å"As for me, I’m not going to be spoken to like that, so don’t try. Respect goes two ways. Now listen carefully. You are not in charge here; we are. If you want to stay and help, then you do as we say. Otherwise, go back to Lord Asriel now. There’s no arguing about it.† Lyra could see the pair of them bristling, but Tialys was looking at Will’s hand, which was on the sheath at his belt, and she knew he was thinking that while Will had the knife, he was stronger than they were. At all costs they mustn’t know it was broken, then. â€Å"Very well,† said the Chevalier. â€Å"We shall help you, because that’s the task we’ve been given. But you must let us know what you intend to do.† â€Å"That’s fair,† said Will. â€Å"I’ll tell you. We’re going back into Lyra’s world as soon as we’ve rested, and we’re going to find a friend of ours, a bear. He’s not far away.† â€Å"The bear with the armor? Very well,† said Salmakia. â€Å"We saw him fight. We’ll help you do that. But then you must come with us to Lord Asriel.† â€Å"Yes,† said Lyra, lying earnestly, â€Å"oh yes, we’ll do that then all right.† Pantalaimon was calmer now, and curious, so she let him climb to her shoulder and change. He became a dragonfly, as big as the two that were skimming through the air as they spoke, and darted up to join them. â€Å"That poison,† Lyra said, turning back to the Gallivespians, â€Å"in your spurs, I mean, is it deadly? Because you stung my mother, Mrs. Coulter, didn’t you? Will she die?† â€Å"It was only a light sting,† said Tialys. â€Å"A full dose would have killed her, yes, but a small scratch will make her weak and drowsy for half a day or so.† And full of maddening pain, he knew, but he didn’t tell her that. â€Å"I need to talk to Lyra in private,† said Will. â€Å"We’re just going to move away for a minute.† â€Å"With that knife,† said the Chevalier, â€Å"you can cut through from one world to another, isn’t that so?† â€Å"Don’t you trust me?† â€Å"No.† â€Å"All right, I’ll leave it here, then. If I haven’t got it, I can’t use it.† He unbuckled the sheath and laid it on the rock, and then he and Lyra walked away and sat where they could see the Gallivespians. Tialys was looking closely at the knife handle, but he wasn’t touching it. â€Å"We’ll just have to put up with them,† Will said. â€Å"As soon as the knife’s mended, we’ll escape.† â€Å"They’re so quick, Will,† she said. â€Å"And they wouldn’t care, they’d kill you.† â€Å"I just hope Iorek can mend it. I hadn’t realized how much we need it.† â€Å"He will,† she said confidently. She was watching Pantalaimon as he skimmed and darted through the air, snapping up tiny moths like the other dragonflies. He couldn’t go as far as they could, but he was just as fast, and even more brightly patterned. She raised her hand and he settled on it, his long, transparent wings vibrating. â€Å"Do you think we can trust them while we sleep?† Will said. â€Å"Yes. They’re fierce, but I think they’re honest.† They went back to the rock, and Will said to the Gallivespians, â€Å"I’m going to sleep now. We’ll move on in the morning.† The Chevalier nodded, and Will curled up at once and fell asleep. Lyra sat down beside him, with Pantalaimon cat-formed and warm in her lap. How lucky Will was that she was awake now to look after him! He was truly fearless, and she admired that beyond measure; but he wasn’t good at lying and betraying and cheating, which all came to her as naturally as breathing. When she thought of that, she felt warm and virtuous, because she did it for Will, never for herself. She had intended to look at the alethiometer again, but to her deep surprise she found herself as weary as if she’d been awake all that time instead of unconscious, and she lay down close by and closed her eyes, just for a brief nap, as she assured herself before she fell asleep. How to cite The Amber Spyglass Chapter 13 Tialys And Salmakia, Essay examples

Crcritical Thinking free essay sample

iGabriela Gutierrez Mrs. Holl. English Honors 2 block 2 November 5, 2010 Fahrenheit 451 Critical thinking and Interpretation Questions. 1. F451 is written from a third person omniscient point of view. This point of view is ideal because we don’t just need to know the feelings of the main character but also of those around him to understand the story. 2. T 3. The main conflicts in the book are that Montag realizes for the first time that he is unhappy and tries to find out why. He resolves this conflict by reading the books he collected and running away. He finds people like himself. 4. 5. The author made his setting a city because he wanted us to connect to the book and notice that it could happen to us too. 6. 7. Montag and Mildred were just two people who were paired up and married; they were barely friends living under the same roof by force. 8. Montag’s actions are believably motivated, he tries to get the rest of the people to believe like he did and realize that this wasn’t a perfect society. We will write a custom essay sample on Crcritical Thinking or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page 9. By not adding anymore scenes on the end was a way to let us set our own ending. 10. Bradbury’s style of writing is different. All of his writing is very symbolic and uses a lot of figurative language, and it makes us interpret the story in different ways. 11. Mildred and Clarisse were both from the dystopian society. Mildred was a model citizen in her society because she never cared about anything and never cared and when she knew what her husband had done she turned him in. Clarisse was antisocial because she always asked why. She actually thought about life and the meaning behind it, while Mildred just followed her everyday routine. 12. Beatty and Montag were both firemen. Beatty knew there was something wrong he had read books just like Montag but didn’t want anyone to find out. Montag was another model citizen of the society until he met Clarisse. 13. Some of the characters are stereotypes because those who actually read books were wise and anyone that did read them would be, but those who didn’t acted carelessly. 14. L 15. Faber was Montag’s guide to realizing what was wrong with the society. 16. Clarisse was the one who made the realization that the society was wrong and had to change. 17. The same thing may happen in the future because now everyone is so obsessed with one thing they become careless for the rest. 18. Faber actually thinks for himself and he meant that he wasn’t like the others that were blind to the reality. 19. If Montag had been found he would have not ended the dystopian society, and everyone would have continued living like that. 0. Montag was a hero because the society wouldn’t have been destroyed without him killing Beatty and the societies seeing him run away. 21. This dystopian society was violent because they didn’t care about anything and let the government takeover. 22. Human life wasn’t valued in the novel. They just made sure everyone followed the rules. 23. Things today that reassemble this society are the people that lie to get power. Politics brainwash people and turn them against a certain race.